RTÉ Guide

admin Branded Content Classics

Share this Post Share this Post Share this Post Want to hear a joke about paper? Nevermind, it’s tearable… We were delighted to be approached by Ogilvy Dublin to develop the new RTÉ Guide TV Campaign. In keeping up with the magazine’s ever evolving catalogue, the challenge was to create a library of fun and funky interchangeable pop-up scenarios. With …

Play Like Pelé

admin Gavin Kelly, Branded Content Classics

Share this Post The new Snickers spot is a spectacular salute to soccer’s most iconic player. Painting and flipping every seat in a custom built digital stadium was a challenge offset by the brilliant experience of filming Pelé in London. This spot unites Paul Trevillion with his famous muse Pelé in a totally unexpected way. Paul was delighted to see …

Toddlebox.ie #YOTO

admin Richard Chaney, Branded Content Classics

Share this Post Share this Post Director Richard Chaney takes on one of the dreaded ‘no-no’s’ of film making – working with babies. Not just filming them, but making them rap! Toddlebox.ie is Danone’s educational platform for parents of babies between 1 and 3 years old, giving much needed informational out Toddler’s unique nutritional needs. CREDITS:

Summer

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Share this Post The Public House commissioned Piranha Bar’s Gavin Kelly to helm this charming spot for Insurance company 123.ie. We find find yet another grey hair sprouting from the scalp of a frustrated and bored customer who’s still on hold with one of 123.ie’s competitors. The newbie follicle joins the ‘club’ alongside a more established and wiser grey who …

Last Highjack

admin Gavin Kelly, Branded Content Classics

Share this Post Nicky Gogan from Still Films produced the animation for the documentary with Gavin Kelly and the animators at Piranha Bar, using a bespoke technique developed with Tommy Pallotta over a number of months. The team brought actual oil paintings on canvas by artist Hisko Hulsing (Montage of Heck) and illustrations by Aaron Sacco (A Scanner Darkly), into …

Testimonials

admin Gavin Kelly, Branded Content Classics

Share this Post Share this Post Share this Post Share this Post Share this Post VHI are back on our screens with a brand new animation look and new customer stories. Moving on from the charming flat paper animations of the previous spots, the new testimonials are an explosion of depth, light and texture featuring rich characters inhabiting a soft …

IrishTimes.com

admin Gavin Kelly, Sean King, Branded Content Classics

IrishTimes.com CampaignDirector Gavin KellyEditor Sean KingShare this PostSuzanne LynchShare this PostPatrick FreyneShare this PostMiriam LordShare this PostFintan O’Toole The Irish Times’ latest campaign through agency Owens DDB highlights the immediacy and intimacy of news and information flowing daily from journalist to reader at IrishTimes.com. By developing a simplified motion control technique, director Gavin Kelly was able to use a seamless camera move between two realities, as …

Count on It

admin Branded Content Classics, Iseult Howlett

Share this Post Irish International worked with Gavin Kelly to reassert IDA and Ireland’s commitment to Europe in the wake of Brexit. Targeting potential investors across the globe by dispelling some misconceptions bringing to life the facts about the Republic and its people. Our studio created 3D typographic elements to integrate into the footage we shot on the fly around Dublin. …

Planetoids

admin Gavin Kelly, Branded Content Classics

Share this Post At Piranha Bar we love to be part of projects that break ground. We love the creative buzz of working on innovative ideas. One of these innovative projects is the new commercial for MyHome.ie for Havas Worldwide Dublin – the very first commercial to create a stereographic, live-action planetoid view of the world. So what does this …

Shadows

admin Gavin Kelly, Branded Content Classics

Share this Post This spot foretells the scary consequences of a lack of healthy bedtime routine for kids. The shadow was created by building a 3D character who grows, ages and puts on a significant amount of weight. We used a motion captured performer to drive the animation and then cast his shadow onto a wall with 3D lighting. CREDITS